College of Arts and Humanities
17 achievements
Moreman, S., & Zenovich, J.
(2015).
Third wave feminist analysis of a second wave feminist's art: a feminist oral history of an artist's last performance.
Departures in Critical Qualitative Research. 4(1),
57-80.
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| Moreman, S.
(2011).
Qualitative Interviews of Racial Fluctuations: The 'How of Latina/o-White Hybrid Identity.
Communication Theory. 21(2),
197-216.
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| Moreman, S., & Non Grata, P.
(2011).
Learning from and mentoring the undocumented AB540 student: hearing an unheard voice.
Text & Performance Quarterly. 31(3),
303-320.
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| Calafell, B., & Moreman, S.
(2010).
Iterative Hesitancies and Latinidad: The Reverberances of Raciality.
The Handbook of Critical Intercultural Communication.
Chichester, West Sussex, U.K.; Malden, MA: Wiley-Blackwell.
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| Moreman, S., & McIntosh, D.
(2010).
Brown Scriptings and Rescriptings: A Critical Performance Ethnography of Latina Drag Queens.
Communication and Critical/Cultural Studies. 7(2),
115-135.
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| Moreman, S.
(2010).
A retro future case of feminist and queer performance work.
Theatre Journal. 62(1),
137-138.
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| Moreman, S., & Calafell, B.
(2010).
Iterative hesitancies and latinidad: the reverberances of raciality.
The handbook of critical intercultural communication.
(pp.400-416)
Malden, : Blackwell, Massachusetts.
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| Moreman, S., & McIntosh, D.
(2010).
Brown scriptings and rescriptings: a critical performance ethnography of Latina drag queens.
Communication & Critical/Cultural Studies. 7(2),
115-135.
|
| Calafell, B., & Moreman, S.
(2009).
Envisioning an academic readership: Latina/o performativities per the form of publication.
Text and Performance Quarterly. 29(2),
123-130.
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| Moreman, S.
(2009).
Rethinking Dwight Conquergood: toward an unstated cultural politics.
Liminalities: A Journal of Performance Studies. 5(5),
1-13.
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| Moreman, S.
(2009).
Memoir as performance: strategies of hybrid ethnic identity.
Text & Performance Quarterly. 29(4),
350-370.
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| Moreman, S.
(2009).
In a post-Anzaldúan time, ‘¿What is mestizaje?.
The Review of Communication. 9(4),
365-367.
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| Moreman, S., & Calafell, B.
(2009).
Envisioning an academic readership: latina/o performativities per the form of publication.
Text & Performance Quarterly. 29(2),
123-130.
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| Moreman, S., & Marie Calafell, B.
(2008).
Buscando para nuestra latinidad: Utilizing La Llorona for Cultural Critique.
Journal of International and Intercultural Communication. 1(4),
309-326.
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| Moreman, S.
(2008).
Hybrid performativity, South and North of the border: Entre la teoría y la materialidad de hibridación.
Latina/o communication Sstudies today.
(pp.91-111)
New York: Peter Lang.
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| Moreman, S.
(1999).
The terms of my Latino identity: an exploratory auto-ethnographic narrative.
Studies in symbolic interaction.
(pp.65-75)
Greenwich, England: JAI.
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| Moreman, S., Levitt, S., & Becker, C.
(1998).
Computers, new information and communication technologies, power, and the status of women in organizations.
Organizational communication emerging perspectives VI: power, gender, and technology.
(pp.117-139)
Stamford: Ablex.
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