

College of Arts and Humanities » Department of Theater Arts
42 achievements
Balint, K.
(2009).
Impressions of Being.
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Balint, K.
(2009).
Slow Me Down.
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Balint, K.
(2009).
Are You Now or Have You Ever.
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Balint, K.
(2008).
“Voided Hospitality” by student choreographer Lindsay Settle, University Dance Theatre.
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Einsidler, I.
(2008).
I Tre Compagni Opera.
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Gibson, M.
(2012).
Review of Representing the Past: Essays in Performance Historiography.
Theatre Journal. 64(1),
129-130.
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Gibson, M.
(2006).
1979 and All That: Periodization in Postwar British Theatre History.
Theatre Survey. 47(1),
33-50.
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Gibson, M.
(2005).
Review of The Censorship of British Drama 1900-1968, Vol. I, 1900-1932, and: Censorship of the American Theatre in the Twentieth Century.
Theatre Journal. 57(4),
775-777.
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Gibson, M.
(2005).
Review of How Theatre Educates: Convergence Points with Scholars, Artists and Activists.
Theatre Research International. 29(1).
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Gibson, M.
(2003).
Review of Continental Divide: Mothers Against, and: Continental Divide: Daughters of the Revolution.
Theatre Journal. 55(3),
543-544.
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Gibson, M.
(2003).
Review of Performing History: Theatrical Representations of the Past in Contemporary Theatre by Freddie Rokem.
Theatre Survey. 44(1).
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Gibson, M.
(2002).
Review of Space and Time in Epic Theatre by Sarah Bryant-Bertaile.
Text and Presentation.
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Gibson, M.
(2001).
Himself Again: Richard III on the London Stage in the 1980s.
New England Theatre Journal.
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Gibson, M.
(2000).
Pericles at the Royal National Theatre, May 1994.
Pericles: Critical Essays.
New York: Garland.
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Gibson, M.
(2000).
Review of Harold Pinter and the New British Theatre by D. Keith Peacock.
Theatre Journal. 52(2),
300-301.
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Gibson, M.
(1999).
God Rot Great Men: The Heroes of Alternative History and Howard Brenton’s The Churchill Play.
Theatre Studies.
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Gibson, M.
(1998).
Review of British Playwrights, 1956-1995: A Research and Production Sourcebook.
Theatre Survey. 39(1).
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Gibson, M.
(1998).
Review of British Playwrights, 1880-1956: A Research and Production Sourcebook, William W. Demastes.
Theatre Survey. 39(1).
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Gibson, M.
(1997).
Review of Performing Brecht: Forty Years of British Performances by Margaret Eddershaw.
On-Stage Studies.
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Gibson, M.
(1997).
Review of Stage Right: Crisis and Recovery in British Mainstream Theatre by John Bull.
Theatre Studies.
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Gibson, M.
(1997).
Review of British Realist Theatre: The New Wave in its Context by Stephen Lacey.
Theatre Journal. 49(2),
256-257.
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Gibson, M., & Kennedy, D.
(1994).
Review of William Archer: A Biography by Peter Whitebrook.
Theatre Survey. 35(2).
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Herring, D.
(2009).
Brothers of a Common Country: A Story of Abraham Lincoln.
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Herring, J.
(2008).
Some Men.
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Smith, J.
(2001).
Dramatic literacy : using drama and literature to teach middle-level content.
Portsmouth, NH: Heinemann.
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Smith, J., & Herring, J.
(1998).
A Dramatic Reading of Adolescent Literature.
ALAN Review.. 25(2),
36-40.
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Smith, J., & Herring, J.
(1996).
Literature Alive: Connecting to Story Through the Arts.
Reading horizons. 37(2),
102-115.
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Smith, J.
(1994).
Drama in the Middle Level Classroom: Bringing Content to Life.
Middle School Journal. 26(1),
30-36.
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Herring, J.
(1988).
Keeping the Door Open: A Soviet-American Exchange.
Youth Theatre Journal. 3(2),
14-16.
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Wright, L.
(1988).
The Arts Approach to Holistic Drama at Arizona State University.
Drama/Theatre Teacher. 1(1),
16-19.
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Myers, B.
(2012).
Wonder of the World.
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Myers, B.
(2012).
Assassins.
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Myers, B.
(2009).
The Man Who Came to Dinner.
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Payne, E.
(2008-2009).
The Tonight Show.
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Payne, E.
(2008).
Last of the Leaves.
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Payne, E.
#9 Waterwell.
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