17 achievements

Moreman, Shane

College of Arts and Humanities » Department of Communication
Calafell, B., & Moreman, S.  (2010). Iterative Hesitancies and Latinidad: The Reverberances of Raciality.  The Handbook of Critical Intercultural Communication. Chichester, West Sussex, U.K.; Malden, MA: Wiley-Blackwell.
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Calafell, B., & Moreman, S.  (2009). Envisioning an academic readership: Latina/o performativities per the form of publication.  Text and Performance Quarterly. 29(2), 123-130.
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Moreman, S., & Zenovich, J.  (2015). Third wave feminist analysis of a second wave feminist's art: a feminist oral history of an artist's last performance.  Departures in Critical Qualitative Research. 4(1), 57-80.
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Moreman, S.  (2011). Qualitative Interviews of Racial Fluctuations: The 'How of Latina/o-White Hybrid Identity.  Communication Theory. 21(2), 197-216.
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Moreman, S., & Non Grata, P.  (2011). Learning from and mentoring the undocumented AB540 student: hearing an unheard voice.  Text & Performance Quarterly. 31(3), 303-320.
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Moreman, S., & McIntosh, D.  (2010). Brown Scriptings and Rescriptings: A Critical Performance Ethnography of Latina Drag Queens.  Communication and Critical/Cultural Studies. 7(2), 115-135.
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Moreman, S.  (2010). A retro future case of feminist and queer performance work.  Theatre Journal. 62(1), 137-138.
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Moreman, S., & Calafell, B.  (2010). Iterative hesitancies and latinidad: the reverberances of raciality.  The handbook of critical intercultural communication. (pp.400-416) Malden, : Blackwell, Massachusetts.
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Moreman, S., & McIntosh, D.  (2010). Brown scriptings and rescriptings: a critical performance ethnography of Latina drag queens.  Communication & Critical/Cultural Studies. 7(2), 115-135.
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Moreman, S.  (2009). Rethinking Dwight Conquergood: toward an unstated cultural politics.  Liminalities: A Journal of Performance Studies. 5(5), 1-13.
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Moreman, S.  (2009). Memoir as performance: strategies of hybrid ethnic identity.  Text & Performance Quarterly. 29(4), 350-370.
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Moreman, S.  (2009). In a post-Anzaldúan time, ‘¿What is mestizaje?.  The Review of Communication. 9(4), 365-367.
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Moreman, S., & Calafell, B.  (2009). Envisioning an academic readership: latina/o performativities per the form of publication.  Text & Performance Quarterly. 29(2), 123-130.
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Moreman, S., & Marie Calafell, B.  (2008). Buscando para nuestra latinidad: Utilizing La Llorona for Cultural Critique.  Journal of International and Intercultural Communication. 1(4), 309-326.
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Moreman, S.  (2008). Hybrid performativity, South and North of the border: Entre la teoría y la materialidad de hibridación.  Latina/o communication Sstudies today. (pp.91-111) New York: Peter Lang.
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Moreman, S.  (1999). The terms of my Latino identity: an exploratory auto-ethnographic narrative.  Studies in symbolic interaction. (pp.65-75) Greenwich, England: JAI.
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Moreman, S., Levitt, S., & Becker, C.  (1998). Computers, new information and communication technologies, power, and the status of women in organizations.  Organizational communication emerging perspectives VI: power, gender, and technology. (pp.117-139) Stamford: Ablex.
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